RODE microphones: features, model overview, selection criteria

RODE microphones are rightly considered one of the leaders in the audio equipment market. But they have a number of features, and a review of the models reveals important additional information. Along with this, it is imperative to take into account the basic selection criteria.

It is worth starting a conversation about the RODE microphone with the fact that the company producing such equipment has a long history. AND all of its activities since 1967 have been focused specifically on the production of microphone equipment. The brand's products belong to the impeccable elite range. She invariably shows herself from the best side even in the most difficult and stressful situations. The RODE company actively introduces technological innovations and constantly develops them itself.

The range of products is very large. Along with the actual microphones, it includes everything you need for them, any auxiliary means (accessories). Curiously, the headquarters of the firm is located in Australia. There are official RODE distributors in almost every country in the world. The company has diligently debugged its entire history of the full production cycle, and it's time to get acquainted with what it has done.

The excellent on-camera microphone deserves attention VideoMic NTG. The product has a completely extraordinary "cannon" design, which guarantees extraordinary acoustic transparency. The sound is as natural as possible, not colored by any other tonalities. The gain is infinitely variable. The 3.5 mm output effectively works with both video cameras and mobile equipment.

USB-C output allows continuous audio monitoring. Digital switching makes it easy to control the high-pass filter and PAD system. A peak generator is provided. It is powered by a lithium-ion battery that keeps the microphone running for at least 30 hours. The structure is made of aluminum, which allows for lightness and mechanical stability at the same time.

Quite a few people can use a microphone NT-USB. It is a versatile device, perfect for even studio environments. Its name alone indicates that it will be possible to connect to USB. The manufacturer also claims full iPad compatibility.

Lapel microphone PinMic will help out in so many situations. This is an almost invisible "pin" that works just as well as large samples. Implemented secret attachment on any clothing, regardless of the type and color of the fabric. Frequencies from 60 to 18000 Hz are transmitted. The signal-to-noise ratio is at least 69 dB.

Wireless Wireless go extremely compact. This model is suitable even for on-the-go work. At the same time, the sound is guaranteed not worse than that of conventional studio devices. It is also worth noting:

• an updated digital data transmission system with 128-bit encryption;
• operating range up to 70 m along a straight trajectory;
• the ability to recharge batteries via USB-C;
• coordination of the transmitter and receiver in a maximum of 3 seconds.

Complete the review of the most attractive models pertinently on the version Podcaster. This microphone delivers true broadcast quality, even with regular USB. The frequency range of voice transmission is optimally selected. The 28mm dynamic capsule definitely deserves attention. The device is declared as an optimal component for live speech recognition complexes.The signal-to-noise ratio can be as high as 78 dB.

But other RODE models, not included in various ratings, also deserve at least respect. For example, we are talking about a device M5... This is a stereo pair of compact condenser microphones. The delivery set includes a stereo plane, and not just as another component, but as one of the best devices of its kind. The description mentions:

• robust body, obtained by casting;
• 0.5 inch gold plated diaphragm;
• the inclusion of clamps and wind protection in the kit;
• external polarization;
• minimum level of technical noise.

The analysis of the RODE assortment could be carried out for a long time. But it is very important that even such attractive products must be chosen thoroughly. AND the most important criterion is how the microphone will be used. Almost all advanced models can be used for both live sound processing and studio purposes. But the requirements for the functionality of equipment for studios are higher, and in open areas, protection from wind and precipitation is more important.

The frequency response for vocal and vocal microphones must be at least 80 Hz, and some instruments require processing of all frequencies that can generally be heard to transmit the sound.

Sound pressure levels are critical for live performance, especially with drums and other loud instruments. The middle level is considered to be 100 dB, and the high level is from 130 dB. The vocal microphone should have a peak in the frequency curve near the upper limit. Then the voice transmission will be smoother and more accurate. You should immediately clarify whether the device needs an additional power source or not.

For the pro's take on RODE microphones, see below.